Henrique Pavão
HENRIQUE PAVÃO (Lisbon, 1991) lives and works in Lisbon.
His work is focused on issues of entropy, loss, anachronism, story-telling and temporality, reflecting an interest and use of the archaeology of conceptual movements, connected to a sophisticated, poetical and cinematic use of processes. His work circles through different media (sculpture, film / video, photography and sound) often with a concern for each medium’s specific processes and mechanisms, taken as the mark of its temporality or even its history.
Pavão has studied Sculpture in Faculty of Fine Arts Lisbon and obtained his Masters in Fine Arts from the Malmö Art Academy in 2016 (Professor Joachim Koester). He received grants from the Calouste Gulbenkian Foundation (2015), and the Royal Academy of Arts Stockholm (2016). In 2016, he was awarded with the Edstrandska Stiftelsens Prize and shortlisted for the Novo Banco Revelação Award from the Serralves Foundation. In 2019, Pavão was shortlisted for the 13th edition of the EDP Foundation’s New Artists Award.
His work has been recently exhibited at MAAT – The Museum of Art Architecture and Technology (Lisbon), CAV – Centro de Artes Visuais (Coimbra), Galeria Municipal do Porto (Oporto), SE8 Gallery (London), UMA LULIK_ (Lisbon), Anozero (Coimbra Biennial), Culturgest Porto (Oporto), Appleton Square (Lisbon) KHM Gallery (Malmö) and at The Royal Academy of Arts (Stockholm), among others.
Pavão’s work is represented in public and private collections in Portugal, Germany and Canada.
HENRIQUE PAVÃO
One Last Longing
2020
HD Video (b/w, sound)
8’18”
Ed. 5 + 1 AP
HENRIQUE PAVÃO
One Last Longing
2020
HD Video (b/w, sound)
8’18”
Ed. 5 + 1 AP
HENRIQUE PAVÃO
One Last Longing
2020
HD Video (b/w, sound)
8’18”
Ed. 5 + 1 AP
HENRIQUE PAVÃO
Apollo
2019
Overhead projector, Apollo: Atmospheres and Soundtracks – Brian Eno with Daniel Lanois & Roger Eno (Extended Edition) 1983, magic lantern glass slide, bronze
Variable dimensions
HENRIQUE PAVÃO
Apollo
2019
Overhead projector, Apollo: Atmospheres and Soundtracks – Brian Eno with Daniel Lanois & Roger Eno (Extended Edition) 1983, magic lantern glass slide, bronze
Variable dimensions
HENRIQUE PAVÃO
Hotel Palenque (Fossil)
2019
Inkjet print on japanese paper 70 gr.
70 x 108, 3 cm
Ed. 3 + 1 AP
HENRIQUE PAVÃO
The Lost Longing for Existence
2019
35 mm slides (2 sets of 31), black and white and color, loop; 35 mm slide, black and white; three slide projectors Super 8 film transferred to digital video, black and white, silent, 2’ 31’’, loop; video monitor, 2 vinyl records, 12 in, 33 1/3 RPM, sound, 21’ 28’’, loop; two record players, Turtle (Nancy), heating lamp, concrete and iron
Variable dimensions
Ed. 1 + 1 AP
HENRIQUE PAVÃO
The Lost Longing for Existence
2019
35 mm slides (2 sets of 31), black and white and color, loop; 35 mm slide, black and white; three slide projectors Super 8 film transferred to digital video, black and white, silent, 2’ 31’’, loop; video monitor, 2 vinyl records, 12 in, 33 1/3 RPM, sound, 21’ 28’’, loop; two record players, Turtle (Nancy), heating lamp, concrete and iron
Variable dimensions
Ed. 1 + 1 AP
HENRIQUE PAVÃO
The Lost Longing for Existence
2019
35 mm slides (2 sets of 31), black and white and color, loop; 35 mm slide, black and white; three slide projectors Super 8 film transferred to digital video, black and white, silent, 2’ 31’’, loop; video monitor, 2 vinyl records, 12 in, 33 1/3 RPM, sound, 21’ 28’’, loop; two record players, Turtle (Nancy), heating lamp, concrete and iron
Variable dimensions
Ed. 1 + 1 AP
HENRIQUE PAVÃO
Witness (antes e depois de antes)
2019
Inkjet print on cotton paper 320 gr.
97 x 130 cm
3 + 1 AP
HENRIQUE PAVÃO
Now I Became Aged
2018
HD Video (b/w, silent, continuous)
Ed. 5 + 1 AP
HENRIQUE PAVÃO
To Erase Time one Requires Mirrors, not Rocks
2018
Inkjet print
29 x 21 cm (each)
3 + 1 AP
HENRIQUE PAVÃO
The Future is but the Obsolete in Reverse
2018
35 mm slide (black and white); slide projector, vinyl record, 12 in, 33 1/3 RPM, sound, 10’ 00 ‘’, loop; record player, iron
Variable dimensions
Ed. 3 + 1 AP
HENRIQUE PAVÃO
antes e depois de antes
2017
Asphalt, wood, real-time video circuit, 15-channel video installation, video loop
Variable dimensions
1 + 1 AP
HENRIQUE PAVÃO
antes e depois de antes
2017
Asphalt, wood, real-time video circuit, 15-channel video installation, video loop
Variable dimensions
1 + 1 AP
HENRIQUE PAVÃO
antes e depois de antes
2017
Asphalt, wood, real-time video circuit, 15-channel video installation, video loop
Variable dimensions
1 + 1 AP
HENRIQUE PAVÃO
antes e depois de antes
2017
Asphalt, wood, real-time video circuit, 15-channel video installation, video loop
Variable dimensions
1 + 1 AP
HENRIQUE PAVÃO
Absence Reminders
2017
Inkjet print on cotton paper 320gr, iron, obsidian
27 x 20 cm (x 36)
Installation view AnoZero’17 (Coimbra biennial)
HENRIQUE PAVÃO
Almodôvar Mirror-Site
2016
35 mm slides (2 sets of 80) color, loop; two slide projectors, sound, 24’47’’, loop, text
Variable dimensions
1 + 1 AP
HENRIQUE PAVÃO
Almodôvar Mirror-Site
2016
35 mm slides (2 sets of 80) color, loop; two slide projectors, sound, 24’47’’, loop, text
Variable dimensions
1 + 1 AP
HENRIQUE PAVÃO
Junkspace not Always Recovers from You
2020
2-channel video installation (16mm film transferred to digital, b/w, silent, 2’12”, loop)
Ed. 5 + 1 AP
HENRIQUE PAVÃO
Junkspace not Always Recovers from You
2020
2-channel video installation (16mm film transferred to digital, b/w, silent, 2’12”, loop)
Ed. 5 + 1 AP